Review: “Et in Arcadia Ego”, Brian Stableford, 2014.
The tone of this intellectual horror story is elegiac because it is about the passing of Arcadia and all it symbolizes and the beginning of the modern age. The combination of Lovecraftian elements and Ancient Greece is something, I believe, Lovecraft himself would have appreciated.
At the start we are told the Great God Pan is dead and history is in gestation meaning the documents that will produce history are in gestation but haven’t been collected yet. The chronology we call history has “not yet settled into a mathematical pattern”.
Our protagonist is a poet who has come across a dryad’s body. He has seen the shadowy forms of dryad before but never one in broad daylight. Her body is pierced with an iron spike which he tries to pull out of her. The spirit folk are being hunted down and exterminated as “incompatible with the quest of civilization” and agriculture. It’s a shameful matter and killing the spirit folk is not talked about. The poet himself is ambivalent in his loyalty to civilization.
While trying to pull the spike out of the dryad, the poet is attacked by a faun and almost strangled to death except that one of the oldest of the fauns, a satyr, pulls the younger faun away. These mythical creatures speak Pelasgoi, a dying language spoken only by people like the poet’s household servant as Greek civilization spreads into Arcadia. The creatures are surprised the poet speaks it well.
The satyr says the dryad won’t live, but she’ll have a better death if they can get her to a cave.Continue reading ““Et in Arcadia Ego””