Review: “Pioneering Essays”.
This is a collection of the earliest essays on William Hope Hodgson, mostly by writers.
H. P. Lovecraft’s “The Weird Work of William Hope Hodgson” says Hodgson is one of the few writers that can capture “the inmost illusive essence of the weird” and puts Hodgson just below Algernon Blackwood in his skill even if his conception of the universe and man’s place in it is “conventionally sentimental”. I’m not sure exactly what Lovecraft meant. Hodgson’s stories don’t appeal to God or any higher power save man. Perhaps he was noting Hodgson’s characters often have love interests whereas Lovecraft’s (with the exception of “The Thing on the Doorstep”) never do. Lovecraft uses variations on the word “siege” in describing every Hodgson novel except The Boats of the “Glen Carrig”. He finds the prose of that novel inaccurate and “pseudo-romantic”. Of The Night Land, Lovecraft says that, despite all its faults, it is one of the most potent pieces of macabre imagination ever conceived. Generally, Lovecraft is not fond of Hodgson’s Carnacki stories but concedes that some have “undeniable power” and show Hodgson’s peculiar genius.
Clark Ashton Smith said that Hodgson’s work had the quality of the “realism of the unreal”. He thinks Hodgson at least the equal of Algernon Blackwood and perhaps exceeded him in The House on the Borderland. Of The Night Land, Smith said “there are few works so sheerly remarkable”. Smith thought those two novels were Hodgson’s masterpieces though he liked the beginning scenes on the island in The Boats of the “Glen Carrig”. He thought The Ghost Pirates was “one of the few successful long stories dealing with the phantasmal”. Continue reading ““Pioneering Essays””